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Sunday, May 9, 2010
Monday, May 3, 2010
Roots
Today when I get home and grade the papers I've been thinking about grading, finish the cleaning I need to do and make the phone calls that always need making, I'm going to take our tomato plants outside and plant them in the ground behind the fence with stakes and cages near the strawberries.
This has been a decision I've put off for weeks because 1-it's been sort of cold and 2-I wasn't sure if we were staying very long or not. I'm still not sure, really, but a week has gone by since my campus-interview with no word from anyone at the campus I interviewed on. It's not that I don't believe I might get a job offer, I made it this far so, at the least, I'm hoping for a very kind rejection, it's just that the plants are growing now. They're getting so big they can barely stand on their own anymore. They're falling over on the window sill and in the chair beside it that I've been keeping them on.
It broke my heart a little to imagine I'd plant them, then we'd up and move with no one to tend to their needs, but I've been thinking a lot about roots--where we grow and how we grow and why. Mom says her vegetables aren't doing so well--it's been cold in the south, colder than the vegetables prefer. If we move, that's where we'll be, but my vegetables seem to like it here. They reach and stretch toward the window, the outside world, where I believe they want to be planted. I can take them in pots out of Missouri to wherever we might go, even though this is where they were bred, just like I've been transplanted from place to place even though my family is where my origins reside. But, like the plants, I sort of like it here, enough to put down roots, even if they're just those of my tomato plants, so some part stays when all the rest goes.
This has been a decision I've put off for weeks because 1-it's been sort of cold and 2-I wasn't sure if we were staying very long or not. I'm still not sure, really, but a week has gone by since my campus-interview with no word from anyone at the campus I interviewed on. It's not that I don't believe I might get a job offer, I made it this far so, at the least, I'm hoping for a very kind rejection, it's just that the plants are growing now. They're getting so big they can barely stand on their own anymore. They're falling over on the window sill and in the chair beside it that I've been keeping them on.
It broke my heart a little to imagine I'd plant them, then we'd up and move with no one to tend to their needs, but I've been thinking a lot about roots--where we grow and how we grow and why. Mom says her vegetables aren't doing so well--it's been cold in the south, colder than the vegetables prefer. If we move, that's where we'll be, but my vegetables seem to like it here. They reach and stretch toward the window, the outside world, where I believe they want to be planted. I can take them in pots out of Missouri to wherever we might go, even though this is where they were bred, just like I've been transplanted from place to place even though my family is where my origins reside. But, like the plants, I sort of like it here, enough to put down roots, even if they're just those of my tomato plants, so some part stays when all the rest goes.
Sunday, May 2, 2010
Closing Time
There's been talk of moving in our home, as the job market becomes more a part of our lives...and interviews and dossiers and the like. I didn't expect it, but I'm saddened by that likelihood. When I first moved to Columbia, people weren't nice to me. Immediately. I mean, strangers were, but people in my department, colleagues and the like, weren't. They made plans to have drinks after class and wouldn't invite me. If I suggested it to them during a break from an evening class, they'd say they had too much work to do after class and just couldn't swing it. As I walked to my car after class in the dark, I'd consider that the Ph.D. required a lot of work and that they were probably right: I should get home and study hard. But then, I'd reach my car and start driving home through the city streets only to see those same classmates who thwarted my efforts at socializing walking into a bar, laughing and joking around together. It was crushing.
Honestly, it took a few years for me to really just accept that my colleagues didn't like me for whatever skew of reasons they might have. It took time for me to realize that some people don't formulate their own opinions, they just adopt the opinions of others. The hardest part for me was understanding that I hadn't actually done anything to these colleagues; they didn't even really know me and had never actually had a conversation with me. It's hard to believe, when a group of people around you don't like you, that in rare instances it really isn't your fault, you really haven't done anything, they're just close-minded and sort of mean.
I took a little time off from school when it all became too much. There were other forces at play, even bigger ones, but they're not blog-ready. When I came back from my semester off, I dove headfirst into my work, my relationships (with Dustin, that is, which was quite new at that time) and my other interests. I didn't allow myself to lament the outcast position I'd been cast into. And my life got so much better.
When Dustin joined our local community's cast of Communicating Doors, I thought it was great for him to be getting out there, doing something outside of our field and having a hobby that removed him from the stifling atmosphere we'd been living in. I remembered loving the theatre my whole life, seeing my first Broadway show at the age of 9, then dozens and dozens of others in following years. I remembered how much I, too, had once loved being on stage until one day, in a production at the age of 17 years old--after having been on stage for the better part of my life, I noticed the audience and got really scared. Let's just say I never got up on a stage to perform again--crippled by sudden stage fright.
But the friends we made during Communicating Doors were incredible. They were supportive and came to our readings. They were always willing to make time if something came up and we needed support--both emotional and otherwise. And our relationships kept growing, our circle of friends expanded and when Rory asked us to be in the IAT's short Women's Play Festival, I responded with: "Do I have any lines?" Remembered how wonderful these friends had been to us and before he could answer the question, revised my response to: "Who am I kidding? If you and Kir (the director) need me, I'm happy to help. Just tell me what you want me to do."
I didn't know then that I didn't have some lines, I had many--all crammed eloquently into a nine minute scene, but I did know that these friends had been here for us when Dustin was attacked back in September, showing up at our door to check in on us, taking time out of their lives to come lighten up his spirits. I knew they had come to our house for various get-togethers and had invited us to theirs. Some of them had been to our wedding! I knew them before, during and after they found "the one!" and got married, the heartbreaks they'd been through and the relationships that thrived, how they sang karaoke and what they liked to drink, their favorite restaurants and football teams...I knew that they were our friends and if they needed something, even for me to overcome the knowledge that an audience would be watching my every move for ten minutes, I was going to do it.
This weekend has reminded me why I liked being in productions so much. It's the coming together of a cast of sordid individuals and characters to create a unified existence that's more than just the self, but a community creation. Together, we have created something bigger than any of us individually; we have made an audience laugh and cry and think. It's the perfect metaphor for what this group of friends we've found has done for our lives: gave us experiences that are fulfilling and thought-provoking and meaningful when I, for one, had started to doubt that such things still existed.
Last night, after our performance, we went to dinner with some castmates we didn't know very well, and the dinner lasted for two hours, each of us talking passionately and excitedly, finding more and more things we had in common or respected, learning and sharing and enjoying each other so profoundly that, even then, we had a hard time walking out and leaving.
So it saddens me to think that, at some point, Dustin and I will be leaving Columbia and this phenomenal group of people we know here. Friendships last, I know, but the distance can be far and sometimes crippling. Time passes and life happens and we miss each other. Many of these friends have planned and considered leaving, are actively looking for jobs or opportunities elsewhere, so we're not alone in our departure from Columbia. But, this push toward departure is like being at a party with all the people you love and care most about while knowing that, eventually, everyone is going to leave, but just not wanting to be the first to go...pushing out those last few hours and minutes, collecting and lingering by the door just a little bit longer, not wanting to walk out into the darkness, into a world that's not always so nurturing, unsure of what you'll find, just knowing you don't really want to go.
Honestly, it took a few years for me to really just accept that my colleagues didn't like me for whatever skew of reasons they might have. It took time for me to realize that some people don't formulate their own opinions, they just adopt the opinions of others. The hardest part for me was understanding that I hadn't actually done anything to these colleagues; they didn't even really know me and had never actually had a conversation with me. It's hard to believe, when a group of people around you don't like you, that in rare instances it really isn't your fault, you really haven't done anything, they're just close-minded and sort of mean.
I took a little time off from school when it all became too much. There were other forces at play, even bigger ones, but they're not blog-ready. When I came back from my semester off, I dove headfirst into my work, my relationships (with Dustin, that is, which was quite new at that time) and my other interests. I didn't allow myself to lament the outcast position I'd been cast into. And my life got so much better.
When Dustin joined our local community's cast of Communicating Doors, I thought it was great for him to be getting out there, doing something outside of our field and having a hobby that removed him from the stifling atmosphere we'd been living in. I remembered loving the theatre my whole life, seeing my first Broadway show at the age of 9, then dozens and dozens of others in following years. I remembered how much I, too, had once loved being on stage until one day, in a production at the age of 17 years old--after having been on stage for the better part of my life, I noticed the audience and got really scared. Let's just say I never got up on a stage to perform again--crippled by sudden stage fright.
But the friends we made during Communicating Doors were incredible. They were supportive and came to our readings. They were always willing to make time if something came up and we needed support--both emotional and otherwise. And our relationships kept growing, our circle of friends expanded and when Rory asked us to be in the IAT's short Women's Play Festival, I responded with: "Do I have any lines?" Remembered how wonderful these friends had been to us and before he could answer the question, revised my response to: "Who am I kidding? If you and Kir (the director) need me, I'm happy to help. Just tell me what you want me to do."
I didn't know then that I didn't have some lines, I had many--all crammed eloquently into a nine minute scene, but I did know that these friends had been here for us when Dustin was attacked back in September, showing up at our door to check in on us, taking time out of their lives to come lighten up his spirits. I knew they had come to our house for various get-togethers and had invited us to theirs. Some of them had been to our wedding! I knew them before, during and after they found "the one!" and got married, the heartbreaks they'd been through and the relationships that thrived, how they sang karaoke and what they liked to drink, their favorite restaurants and football teams...I knew that they were our friends and if they needed something, even for me to overcome the knowledge that an audience would be watching my every move for ten minutes, I was going to do it.
This weekend has reminded me why I liked being in productions so much. It's the coming together of a cast of sordid individuals and characters to create a unified existence that's more than just the self, but a community creation. Together, we have created something bigger than any of us individually; we have made an audience laugh and cry and think. It's the perfect metaphor for what this group of friends we've found has done for our lives: gave us experiences that are fulfilling and thought-provoking and meaningful when I, for one, had started to doubt that such things still existed.
Last night, after our performance, we went to dinner with some castmates we didn't know very well, and the dinner lasted for two hours, each of us talking passionately and excitedly, finding more and more things we had in common or respected, learning and sharing and enjoying each other so profoundly that, even then, we had a hard time walking out and leaving.
So it saddens me to think that, at some point, Dustin and I will be leaving Columbia and this phenomenal group of people we know here. Friendships last, I know, but the distance can be far and sometimes crippling. Time passes and life happens and we miss each other. Many of these friends have planned and considered leaving, are actively looking for jobs or opportunities elsewhere, so we're not alone in our departure from Columbia. But, this push toward departure is like being at a party with all the people you love and care most about while knowing that, eventually, everyone is going to leave, but just not wanting to be the first to go...pushing out those last few hours and minutes, collecting and lingering by the door just a little bit longer, not wanting to walk out into the darkness, into a world that's not always so nurturing, unsure of what you'll find, just knowing you don't really want to go.
Thursday, April 22, 2010
Playin Around
Husband and I have been cast in two awesome plays being showcased in the short Women's Play Festival here in town. The Festival begins a week from today and runs through the weekend. Both plays are, as the title of the festival suggests, short. Maybe fifteen pages a piece which would be roughly 20 minutes, at most. The playwright who is responsible for the short that I'm in is Carey Crim, who it seems is off to a stellar writing career (based on the link you see there and some reviews of productions of her plays). I couldn't find much info on Ms. Crim when I was given the script a few weeks ago, but felt a sincere draw to the complexity of what goes on in the play and have been thoroughly enjoying our rehearsals.
It doesn't hurt that my thespian-guitar-teacher-fence-building good friend Rory is the only other character in the play which is directed by yet another dear friend, Kirsten. Truth be told, I haven't actually been in a play in, oh...well...perhaps we shouldn't go there (12 years) and I fear I'm more than rusty in my portrayal of this, what I see as, very complex character, but working with Rory and Kirsten has just been amazing. They're both so helpful and patient.
What I've been realizing, more than anything else, is just how much energy is devoted to acting. When husband was in plays over the last few years, he came home from rehearsal rather exhausted. While I was sympathetic, I couldn't really relate to what he was going through. Now, though, now I get it. Picture this: you work a full day at your regular-paying job. If you're a teacher, you go home for a few hours and prep for your teaching the next day, maybe grab something to eat, then head off to rehearsal. At rehearsal, you transform into another person. This person has her own job and her own life and worries. In my case, she's a maid at a sort of rundown motel and happens in on a set of tragic circumstances, but she's also sort of young and innocent--a student at the nearby university who works this job just to pay her way through school. Before she knows it, she's launched into a series of emotions: shock, rationality, sadness, surprise, disgust, pride, disbelief, then curiosity...and all that within the first three minutes. She keeps going through these cycles of emotions, no one emotion ever taking over for too long. She works through various scenarios and, eventually, has to accept what actually is the truth: that something has happened and no matter how many scenarios she tries out, she can't change the fact of what really is...but she doesn't get there until she restarts the scene various times, tries out various reactions and emotions, and, eventually, accepts it. All in fifteen minutes. (Do you see what I mean about Carey Crim being an amazing playwright?)
But as the person acting this out, you adapt this new, temporary persona, run through the 15-20 minute play, then start again and again to try and get it right every time, tweak moments that are weaker or unconvincing, find something to do with your dust cloth and innocence. It's challenging. You're going through all these emotions and subjecting yourself to them over and over until 2-2.5 hours has gone by and you're off to resume your own life...to grade the papers and prep the class and make up a quiz and feed your family. How could my husband have not been exhausted when you did that times five (his plays in the past have been full-length, 2 hour shows!)?
I've always really appreciated and loved theatre, but I think I haven't fully understood just how amazing these actors are that get out there and do it all the time--that maintain their own lives and identities while consistently costuming themselves up in other lives and identities. It's not hard to get entangled--I know where I start and she ends or where she starts and I end...I know to leave the papers and the grading and the quiz grades at the door when I enter the "theatre" and, even, that this girl and her tragedy stays in the theatre when I go home--but I can imagine that for some people, it can't be as easy. Especially for actors that really feel like they have to be the character they're playing in order to perform that part. And no matter how much we separate these lives out and understand the difference between an individual life and a character's life, at the end of the day, there's no leaving behind the exhaustion of the emotional toil I've lived through and exerted. That's the part of it all that's very real.
It doesn't hurt that my thespian-guitar-teacher-fence-building good friend Rory is the only other character in the play which is directed by yet another dear friend, Kirsten. Truth be told, I haven't actually been in a play in, oh...well...perhaps we shouldn't go there (12 years) and I fear I'm more than rusty in my portrayal of this, what I see as, very complex character, but working with Rory and Kirsten has just been amazing. They're both so helpful and patient.
What I've been realizing, more than anything else, is just how much energy is devoted to acting. When husband was in plays over the last few years, he came home from rehearsal rather exhausted. While I was sympathetic, I couldn't really relate to what he was going through. Now, though, now I get it. Picture this: you work a full day at your regular-paying job. If you're a teacher, you go home for a few hours and prep for your teaching the next day, maybe grab something to eat, then head off to rehearsal. At rehearsal, you transform into another person. This person has her own job and her own life and worries. In my case, she's a maid at a sort of rundown motel and happens in on a set of tragic circumstances, but she's also sort of young and innocent--a student at the nearby university who works this job just to pay her way through school. Before she knows it, she's launched into a series of emotions: shock, rationality, sadness, surprise, disgust, pride, disbelief, then curiosity...and all that within the first three minutes. She keeps going through these cycles of emotions, no one emotion ever taking over for too long. She works through various scenarios and, eventually, has to accept what actually is the truth: that something has happened and no matter how many scenarios she tries out, she can't change the fact of what really is...but she doesn't get there until she restarts the scene various times, tries out various reactions and emotions, and, eventually, accepts it. All in fifteen minutes. (Do you see what I mean about Carey Crim being an amazing playwright?)
But as the person acting this out, you adapt this new, temporary persona, run through the 15-20 minute play, then start again and again to try and get it right every time, tweak moments that are weaker or unconvincing, find something to do with your dust cloth and innocence. It's challenging. You're going through all these emotions and subjecting yourself to them over and over until 2-2.5 hours has gone by and you're off to resume your own life...to grade the papers and prep the class and make up a quiz and feed your family. How could my husband have not been exhausted when you did that times five (his plays in the past have been full-length, 2 hour shows!)?
I've always really appreciated and loved theatre, but I think I haven't fully understood just how amazing these actors are that get out there and do it all the time--that maintain their own lives and identities while consistently costuming themselves up in other lives and identities. It's not hard to get entangled--I know where I start and she ends or where she starts and I end...I know to leave the papers and the grading and the quiz grades at the door when I enter the "theatre" and, even, that this girl and her tragedy stays in the theatre when I go home--but I can imagine that for some people, it can't be as easy. Especially for actors that really feel like they have to be the character they're playing in order to perform that part. And no matter how much we separate these lives out and understand the difference between an individual life and a character's life, at the end of the day, there's no leaving behind the exhaustion of the emotional toil I've lived through and exerted. That's the part of it all that's very real.
 |
| Photo taken from MOVE Magazine, Columbia, MO. Original caption below! Rory O'Carroll, playing a returned soldier, and Neesha Navare argue during the play "Knives and Spoons Go on the Left," part of the Short Women's Play Festival on Thursday at Ragtag Cinema. |
Saturday, April 17, 2010
Comps Round Two
Dustin asked me today how much someone would have to pay me to answer my comps questions all over again. I told him I couldn't estimate how much; it was just too high a price. He said, "Were there moments where you felt like you just wanted to die instead?" I told him, "Every moment. Daily, I asked myself why in the world I was doing this. I couldn't even remember after a while." "Yes," he said. "That's exactly how this feels."
What he doesn't realize is that, he's a swan: kicking like mad beneath the surface while gliding along atop the water: smooth and graceful.
I, for my part, flailed the whole way like a drowning child: panicked and unable to swim.
What he doesn't realize is that, he's a swan: kicking like mad beneath the surface while gliding along atop the water: smooth and graceful.
I, for my part, flailed the whole way like a drowning child: panicked and unable to swim.
Friday, April 16, 2010
Observations
Missouri has these giant gashes in its flesh. Literally, the ground does. Like an earthquake rippled through beneath my grass and cracked the ground in pieces of dry skin.
I have finally found a navy blue cardigan I can love again. I had one once. 3/4 length sleeves from J. Crew and I adored it. Then it grew holes and Mom tossed it out with the trash. It has taken me a year to find a new one. I love it so much I'm afraid to wear it into a state of holes like the last. It still has the tags on.
The strawberries I planted a year ago are alive. They made it through the winter and even through the neglect I offered instead of keeping the ground around it cleared and weeded. As if to spite me, it has blossoms, but I don't know what that means yet. Are white blossoms on a strawberry plant good?
Bogey puts his paws together, as a human might put their fists together, tightly waded, the laces of fingers facing and pressing against one another. I imagine he does this in prayer or meditation.
My writing ability
has been
steadily
failing.
Wednesday, April 7, 2010
Overheard at School Today
I was standing in line for some overpriced coffee at the cafe in our library this morning when two button-down-shirt-type gentlemen in khakis (one in pants, the other in khaki shorts) and flip flops got in line behind me. The following conversation ensued.
Khaki Shorts: I stayed home all night trying to get the reading done for his class, but 200 pages is just ridiculous. I couldn't do it. I'm not even sure if I'm ready for mock trial today.
Khaki Pants: Are you defense or prosecution?
Shorts: Prosecution.
Pants: Yeah, I heard he was pissed off about none of us coming to class that Thursday so he assigned a ton of reading.
Shorts: When I was an undergrad here, I took this 17th or 18th century American lit. class and our professor did the weirdest shit. Once he didn't give us our tests back because his Siamese cat took a piss all over them. Another time, he walked into class, looked at all of us and said No, man, I can't do this. I'm too high. Class is canceled. He's that guy over there. (We all look, though I am more subtle in my gaze and find that, despite also being in the English department, I do not know the man he's referring to, strangely enough.)
Pants laughs and says: That's awesome.
Shorts: So when they kick me out of law school, which they will inevitably do, I'm just heading over to the English department.
Aaah, the future of the English department. God help us.
If you're curious, the man he pointed at bore a strange resemblance to this familiar face:
Khaki Shorts: I stayed home all night trying to get the reading done for his class, but 200 pages is just ridiculous. I couldn't do it. I'm not even sure if I'm ready for mock trial today.
Khaki Pants: Are you defense or prosecution?
Shorts: Prosecution.
Pants: Yeah, I heard he was pissed off about none of us coming to class that Thursday so he assigned a ton of reading.
Shorts: When I was an undergrad here, I took this 17th or 18th century American lit. class and our professor did the weirdest shit. Once he didn't give us our tests back because his Siamese cat took a piss all over them. Another time, he walked into class, looked at all of us and said No, man, I can't do this. I'm too high. Class is canceled. He's that guy over there. (We all look, though I am more subtle in my gaze and find that, despite also being in the English department, I do not know the man he's referring to, strangely enough.)
Pants laughs and says: That's awesome.
Shorts: So when they kick me out of law school, which they will inevitably do, I'm just heading over to the English department.
Aaah, the future of the English department. God help us.
If you're curious, the man he pointed at bore a strange resemblance to this familiar face:
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